Posts tagged instrumental

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Improvisation 27/10/11

Acoustic slide guitar. You may just be able to hear the faint crack of distant fireworks at the end.

Now available to download in a wide choice of formats here

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November 25th Gig

As some of you will know already, I’m performing as part of Leah Kardos's launch show for her new album Feather Hammer. Leah is a wonderful pianist/composer who I met on twitter, and it’s great to see online connections having real world results! Also performing are the Ligeti Quartet, who will be playing a varied selection of contemporary classical music.

I will be opening the night, with a piece using field-recordings taken from the area around the venue. I’ll create a soundscape using these recordings, and improvise over them using slide guitar. My aim is to create a one-off piece of music, never to be performed again. The process involved in creating it, however, could certainly be used again, and I’ll probably be making a text score of the piece too.

I’m really excited about this event, even if I wasn’t performing I’d probably be going as an audience member, so it’s great to be put alongside such talented musicians. It would be wonderful to see as many people there as possible, so please come along if you can, and share this post around.

This will all be taking place at The Wilmington Arms, in Clerkenwell, London, on 25th November 2011. Tickets are available for just £5 in advance.

The event is being put on by Chaos Theory Music, here is their description of what will be occurring:

Friday 25th November 7.30pm

The Wilmington Arms, 69 Rosebery Avenue, Clerkenwell, London EC1R 4RL


£5 advance

£8 on the door

Chaos Theory are proud to present three fiercely inventive talents premièring their contemporary works during this one-off event. All of the musicians tonight combine various disciplines, technology and defy tradition. In the true spirit of what Chaos Theory wishes to promote, we invite all of you who wish to experience challenging new music and art.


Leah is a multi-talented composer, producer and pianist whose latest work will be showcased tonight. Her breathtaking new album Feather Hammer (released on 19th September) combines tonal and ambient soundscapes which fuse contemporary classical and electronica styles.

The recorded version of Feather Hammer uses the sounds of acoustic pianos, making use of the hammer, strings and wood percussion of the piano as well as playing them conventionally.

Tonight, we will witness a special presentation of the album featuring digital piano, electronics and video art by Matthew Greasley.


A brilliantly innovative quartet who we’ve had the pleasure of hosting at our monthly night Candied Nonsense. Continually looking to promote the music of established and emerging 20th and 21st Century composers, these graduates from the Royal Academy Of Music, Royal College Of Music and Oxford University never shy away from the new and the experimental. Over the past few months they have premièred ten new works.

Featuring Mandhira De Saram and Patrick Dawkins on violin, Valerie Welbanks on cello and Richard Jones on viola, tonight they will present short pieces by contrasting composers including John Cage, Anton Webern and Harry Partch.


Opening the evening will be this gifted soloist, who will be creating extraordinary music using his original music concept.

Gathering field-recordings within one mile of the Wilmington Arms over the course of one hour, Sam will be manipulating the sounds to forge a one-off soundscape purely for this evening, adding no new sounds whatsoever. He will accompany these recordings with his improvised slide guitar.

A unique start to a unique evening.

This is a rare opportunity to see such vast talent together in one evening and we invite you to come and see how limitless music can be.

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New improvisation, full set here. Downloadable for free in a wide choice of formats

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