Greetings! I charted a course through stormy ‘net connections on Sunday to bring a new release to your ears. As this is the first new piece I’ve released for a while (other than additions to Improvisations) some words on its creation, and my current musical thinking, may be of interest.
At the start of the year (or maybe it was the end of last year, but the date is unimportant) I decided that I should spend twelve months gathering field-recordings, and perhaps pictures and words too, to form the basis of some kind of release to be constructed at the end of 2012. I had no idea for the form of the final work, but I wanted to try a creative method that would lead to a longer gestation period, to get away from my tendency to create in sudden short bursts of activity. Perhaps the cultural significance of the year itself played a role: London had, after all, been preparing for 2012 for what felt like most of my life. I toyed with the idea of blogging regularly on my progress, but I decided this could easily lead to the project feeling like a chore, and that the important thing was the final product, not the story of its creation. I have gathered many recordings so far, though perhaps not as many as I would have liked.
It was in Birmingham last month that a new idea for a piece marched boldly into my head, as they occasionally do. Many times I have created a soundscape and then improvised over it, but now I thought of recording a long improvisation and treating this as the soundscape, creating a piece by adding snatches of manipulated field-recordings. I sat down that day in my hotel room and recorded myself playing for around 25 minutes. I consciously left more space in my playing, aware that this was the basis for more sound, that I was, at some level, accompanying something I could not yet hear.
The piece was created over the following weeks, using recordings from the same Birmingham trip, and also treated samples from the improvisation. As I often do, I allowed the sounds to guide me: I had no specific aims in terms of expressing ideas or moods. The piece is an experiment in approaching my usual ingredients in a slightly different way: the sound of me playing was treated in the way I generally treat field-recordings. I hope that creating it has helped me develop my sound-manipulation skills further.
I wrote myself a minimal set of instructions for my field-recording project, and titled it One Year. As the end of 2012 approaches, I am beginning to gain a sense of what I shall create from what I have gathered. There will be a series of standalone pieces, all made in somewhat different ways, but all using sounds from 2012 (of course!). Together, they will perhaps express something of what I am musically at this time. Birmingham Impressions is the first, listen out for more over the next few months.
thanks for listening/reading
*a copy of these instructions is a bonus item with the Birmingham Impressions download